THESAVRVS MVSICARVM LATINARVM

9th-11th c. Index

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ADEMUS

AdelboldusMusica

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

ADEMUSI

AdelboldusMusica

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

ADETRA

AdelboldusEpistola cum tractatu de musica instrumentali humanaque ac mundana

Source: Adalboldi episcopi Ultraiectensis Epistola cum tractatu de musica instrumentali humanaque ac mundana, ed. Joseph Smits van Waesberghe, Divitiae musicae artis, A/II (Buren: Knuf, 1981)

ADORF

AnonymousAd organum faciendum

Source: Jay A. Huff, ed. and trans., Ad organum faciendum et Item de organo, Musical Theorists in Translation, vol. 8 (Brooklyn, NY: Institute of Mediaeval Music, Ltd., [1963])

ADORFA

AnonymousAd organum faciendum

Source: Edmond de Coussemaker, Histoire de l'harmonie au moyen-age (Paris: V. Didron, 1852)

ADORFAC

AnonymousAd organum faciendum

Source: Hans Heinrich Eggebrecht and Frieder Zaminer, eds., Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit, Neue Studien zur Musikwissenschaft, vol. 3 (Mainz: B. Schotts Söhne, 1970)

ADORFBA

Anonymous[Ad organum faciendum]

Source: Hans Heinrich Eggebrecht and Frieder Zaminer, eds., Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit, Neue Studien zur Musikwissenschaft, vol. 3 (Mainz: B. Schotts Söhne, 1970)

ADORFBB

Anonymous[Ad organum faciendum]

Source: Hans Heinrich Eggebrecht and Frieder Zaminer, eds., Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit, Neue Studien zur Musikwissenschaft, vol. 3 (Mainz: B. Schotts Söhne, 1970)

ADORFBR

Anonymous[Ad organum faciendum]

Source: Hans Heinrich Eggebrecht and Frieder Zaminer, eds., Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit, Neue Studien zur Musikwissenschaft, vol. 3 (Mainz: B. Schotts Söhne, 1970)

ALIAMU

AnonymousAlia musica

Source: Jacques Chailley, ed., Alia musica (Traité de musique du IXe siècle): Edition critique commentée avec une introduction sur l'origine de la nomenclature modale pseudo-grecque au Moyen-Age (Paris: Centre de documentation universitaire et Société d'édition d'enseignement supérieur réunis, 1965)

ALIMU

AnonymousAlia musica

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

ALIMUS

AnonymousAlia musica

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

ALIMUSI

AnonymousAlia musica

Source: Edmund Brooks Heard, "Alia musica: A Chapter in the History of Music Theory" (Ph.D. dissertation, University of Wisconsin, 1966)

ANO1MU

Anonymous IMusica

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

ANO1MUS

Anonymous IMusica

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

ANOARG

AnonymousLiber argumentorum

Source: Expositiones in Micrologum Guidonis Aretini, ed. Joseph Smits van Waesberghe, Musicologica medii aevi, vol. 1 (Amsterdam: North-Holland Publishing Company, 1957)

ANOCAN

AnonymousDe cantibus quae supra modum intenduntur vel remittuntur

Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864)

ANOCBT

AnonymousCommemoratio brevis de tonis et psalmis modulandis

Source: Terence Bailey, ed., Commemoratio brevis de tonis et psalmis modulandis: Introduction, Critical Edition, Translation, Ottawa Mediaeval Texts and Studies, vol. 4 (Ottawa: University of Ottawa Press, 1979)

ANOCC

Anonymous[Compilatio Caroloruhensis]

Source: Christian Meyer, "Aus der Werkstatt des Kompilators," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 2, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 13 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1997)

ANOCMB

AnonymousCommemoratio brevis de tonis et psalmis modulandis

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1981)

ANOCOBR

AnonymousCommemoratio brevis de tonis et psalmis modulandis

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

ANOCOMB

AnonymousCommemoratio brevis de tonis et psalmis modulandis

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

ANOCST

AnonymousCommentum super tonos

Source: De numero tonorum litterae episcopi A. ad coepiscopum E. missae ac Commentum super tonos episcopi E. (ad 1000), ed. Joseph Smits van Waesberghe, Divitiae musicae artis, A/I (Buren: Knuf, 1975)

ANOCSTO

AnonymousCommentum super tonos

Source: De numero tonorum litterae episcopi A. ad coepiscopum E. missae ac Commentum super tonos episcopi E. (ad 1000), ed. Joseph Smits van Waesberghe, Divitiae musicae artis, A/I (Buren: Knuf, 1975)

ANODDM

AnonymousDe dimensione monocordi

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1981)

ANODIA

Anonymous[Dialogus de organo et tractatulus de cantu]

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1981)

ANODM

AnonymousDe modis musicis

Source: Terence Bailey, "De modis musicis: A New Edition and Explanation," Kirchenmusikalisches Jahrbuch 61-62 (1977-78)

ANODMF

AnonymousDe modorum formulis et tonarius

Source: Anonymi de modorum formulis et tonarius, ed. Clyde W. Brockett, Corpus scriptorum de musica, vol. 37 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997)

ANODMT

AnonymousDe musica et de transformatione specialiter

Source: Heinrich Sowa, Quellen zur Transformation der Antiphonen: Tonar- und Rhythmusstudien (Kassel: Bärenreiter, 1935)

ANODUL

AnonymousDulce ingenium (Versio Parisiensis et Brugensis)

Source: Anonymi saeculi decimi vel undecimi tractatus de musica "Dulce ingenium musicae," ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 6 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1987)

ANODUL2

AnonymousDulce ingenium (Versio Pragensis)

Source: Anonymi saeculi decimi vel undecimi tractatus de musica "Dulce ingenium musicae," ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 6 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1987)

ANOECC

AnonymousEcce modorum sive tonorum auspice Christo incipit ordo

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1981)

ANOEMD

AnonymousDe enquiriadis monocordi divisione

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1981)

ANOINC

AnonymousInchiriadon Uchubaldi Francigenae

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1981)

ANOINCOR

AnonymousDe organo

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1981)

ANOLIT

AnonymousLibellus tonarius

Source: Heinrich Sowa, Quellen zur Transformation der Antiphonen: Tonar- und Rhythmusstudien (Kassel: Baerenreiter, 1935)

ANOME1A

AnonymousCompositio monocordi secundum Enchiriadem

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1981)

ANOME1B

AnonymousCompositio monocordi secundum Enchiriadem

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1981)

ANOME2

AnonymousMonocordum Domni Encheriadis

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1981)

ANOME5

AnonymousDivisio monocordi secundum enchiriadem

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1981)

ANOME6

Anonymous[Mensura monocordi VI]

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1981)

ANOMENR

Anonymous[Mensura instrumenti organici]

Source: Anonyme Mensur der Orgelpfeifen. (Ex codice Bernensi Martiani Capellae 56b. Mitgetheilt von Schubiger Spicilegien S. 82. X. Jahrhundert.), in Hugo Riemann, Studien zur Geschichte der Notenschrift (Leipzig: Breitkopf und Härtel, 1878)

ANOMK

AnonymousDe numeris musicis et de consonantiis

Source: Christian Meyer, "Aus der Werkstatt des Kompilators," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 2, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 13 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1997)

ANOMMON

AnonymousMensura monocordi

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1981)

ANOMONR

AnonymousMonochordi mensura

Source: Anonyme Monochordeintheilung (Cod. Paull. 1493, fol. 52b.), in Hugo Riemann, Studien zur Geschichte der Notenschrift (Leipzig: Breitkopf und Härtel, 1878)

ANOMOV

AnonymousExpositio de motu

Source: J. Smits van Waesberghe, "De commentator anonymus in Micrologum Guidonis Aretini en zijn verhouding tot de Luiksche muziekschool," in Muziekgeschiedenis de Middeleeuwen, 3 vols. (Tilburg: Bergmans, 1936-46)

ANOPRG

Anonymous[Mensura fistularum]

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1981)

ANOPRIR

Anonymous[Mensura fistularum]

Source: Anonyme Mensur der Orgelpfeifen. (Cod. Paull. 1493. Fol. 61a.), in Hugo Riemann, Studien zur Geschichte der Notenschrift (Leipzig: Breitkopf und Härtel, 1878)

ANOQUID

AnonymousQuid est cantus?

Source: Peter Wagner, "Un piccolo trattato sul canto ecclesiastico," Rassegna gregoriana 3 (1904)

ANOQUO

AnonymousQuomodo de arithmetica procedit musica

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

ANOQUOM

AnonymousQuomodo de arithmetica procedit musica

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

ANOSPEG

AnonymousLiber specierum

Source: Expositiones in Micrologum Guidonis Aretini, ed. Joseph Smits van Waesberghe, Musicologica medii aevi, vol. 1 (Amsterdam: North-Holland Publishing Company, 1957)

ANOSPI

Anonymous[Miscellanea]

Source: Karl-Werner Gümpel, "Spicilegium Rivipullense," Archiv für Musikwissenschaft 35 (1978)

ANOVERS

AnonymousItem versi eiusdem acute divisionis

Source: Tilden A. Russell, "A Poetic Key to a Pre-Guidonian Palm and the Echemata," Journal of the American Musicological Society 34 (1981)

ARIDEM

AriboDe musica

Source: Aribo, De musica, ed. J. Smits van Waesberghe, Corpus scriptorum de musica, vol. 2 ([Rome]: American Institute of Musicology, 1951)

ARIMU

AriboMusica

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

ARIMUS

AriboMusica

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

AUREPI

Aurelianus ReomensisMusica disciplina

Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864)

AURMD

Aurelianus ReomensisMusica disciplina

Source: Aureliani Reomensis Musica disciplina, ed. Lawrence Gushee, Corpus scriptorum de musica, vol. 21 ([Rome]: American Institute of Musicology, 1975)

AURMDAP

Aurelianus ReomensisMusica disciplina, cap. VIII-XVI

Source: Aureliani Reomensis Musica disciplina, ed. Lawrence Gushee, Corpus scriptorum de musica, vol. 21 ([Rome]: American Institute of Musicology, 1975)

AURMUS

Aurelianus ReomensisMusica disciplina

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

AURMUSD

Aurelianus ReomensisMusica disciplina

Source: Joseph Perry Ponte III, "Aureliani Reomensis Musica disciplina: A Revised Text, Translation, and Commentary," 3 vols. (Ph.D. dissertation, Brandeis University, 1961)

BECANO

AnonymousTractatus

Source: Adolf Becker, "Ein Erfurter Traktat über gregorianische Musik," Archiv für Musikwissenschaft 1 (1918-19)

BERNDCT

Berno AugiensisDe consona tonorum diversitate

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

BERNDCTD

Berno AugiensisDe consona tonorum diversitate

Source: Franz-Josef Schmale, Die Briefe des Abtes Bern von Reichenau, Veröffentlichungen der Kommission für Geschichtliche Landeskunde in Baden-Württemberg, A/6 (Stuttgart: W. Kohlhammer, 1961)

BERNDEC

Berno AugiensisDe consona tonorum diversitate

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

BERNDEM

Berno AugiensisDe mensurando monochordo

Source: Bernonis Augiensis Abbatis De arte musica disputationes traditae: De mensurando monochordo, ed. Joseph Smits van Waesberghe, Divitiae musicae artis, A/VIa (Buren: Knuf, 1978)

BERNDIV

BernelinusCita et vera divisio monochordi in diatonico genere

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

BERNDIVM

BernelinusCita et vera divisio monochordi in diatonico genere

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

BERNINT

Berno AugiensisInterpolationen

Source: Bernonis Augiensis Abbatis De arte musica disputationes traditae: Quae ratio est inter tria opera de arte musica Bernonis Augiensis, ed. Joseph Smits van Waesberghe, Divitiae musicae artis, A/VIb (Buren: Knuf, 1979)

BERNMUS

Berno AugiensisMusica seu Prologus in Tonarium

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

BERNPRO

Berno AugiensisMusica seu Prologus in Tonarium

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

BERNTO

Berno AugiensisTonabius [sic]

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

BERNTON

Berno AugiensisTonarius

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

BERNVAR

Berno AugiensisDe varia psalmorum atque cantuum modulatione

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

BERNVARP

Berno AugiensisDe varia psalmorum atque cantuum modulatione

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

BERTARM

Bertrandus PrudentiusDe arte musica

Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864)

COLORG

AnonymousCologne Organum Treatise

Source: Hans Müller, ed., Hucbalds echte und unechte Schriften über Musik (Leipzig: B. G. Teubner, 1884)

COLORGR

AnonymousCologne Organum Treatise

Source: Hugo Riemann, Geschichte der Musiktheorie im IX.-XIX. Jahrhundert (Berlin: Hesse, 1898)

COLORGS

AnonymousCologne Organum Treatise

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1981)

GUIEP

Guido d'ArezzoEpistola Guidonis Michaeli monacho de ignoto cantu

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

GUIEPI

Guido d'ArezzoEpistola Guidonis Michaeli monacho de ignoto cantu directa

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

GUILEC

Anonymous[Lectio Guidonis]

Source: Joseph Smits van Waesberghe, "Relazione inedita di una lezione di Guido d'Arezzo sulla teoria della musica," Note d'Archivio per la storia musicale 13 (1936)

GUIMIC

Guido d'ArezzoMicrologus

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

GUIMICB_MBBR2784

Guido d'ArezzoMicrologus

Source: Brussels, Bibliothèque Royale Albert Ier, II 784

GUIMICR

Guido d'ArezzoMicrologus

Source: Guidonis Aretini Micrologus, ed. J. Smits van Waesberghe, Corpus scriptorum de musica, vol. 4 ([Rome]: American Institute of Musicology, 1955)

GUIMICRO

Guido d'ArezzoMicrologus

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

GUIMOD

Guido d'ArezzoDe modorum formulis et cantuum qualitatibus

Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963)

GUIPRAN

Guido d'ArezzoPrologus in antiphonarium

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

GUIPRO

Guido d'ArezzoPrologus in antiphonarium

Source: Tres tractatuli Guidonis Aretini: Guidonis "Prologus in Antiphonarium," ed. Joseph Smits van Waesberghe, Divitiae musicae artis, A/III (Buren: Knuf, 1975)

GUIPROL

Guido d'ArezzoPrologus in antiphonarium

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

GUIREG

Guido d'ArezzoRegulae rhythmicae

Source: Guidonis Aretini "Regulae rhythmicae," ed. Joseph Smits van Waesberghe and Eduard Vetter, Divitiae musicae artis, A/IV (Buren: Knuf, 1985)

GUIRR

Guido d'ArezzoRegulae rhythmicae in antiphonarii sui prologum prolatae

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

GUIRRH

Guido d'ArezzoRegulae rhythmicae in antiphonarii sui prologum prolatae

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

GUISEX

Guido d'ArezzoDe sex motibus vocum ad se invicem et dimensione earum

Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963)

HEIMUS

Heinricus AugustensisMusica

Source: Musica Domni Heinrici Augustensis magistri, ed. Joseph Smits van Waesberghe, Divitiae musicae artis, A/VII (Buren: Knuf, 1977)

HERMUS_MRSL1496

Hermannus ContractusMusica

Source: Rochester, New York, Eastman School of Music, Sibley Library, 92 1100 (Wolffheim 1) (acc. 149,667)

HERMUSB

Hermannus ContractusMusica

Source: Hermanni Contracti Musica, ed. W. Brambach (Leipzig: B. G. Teubner, 1884)

HERMUSE

Hermannus ContractusMusica

Source: Musica Hermanni Contracti, ed. and trans. Leonard Ellinwood, Eastman School of Music Studies, no. 2 (Rochester, New York: Eastman School of Music, 1936)

HERMUSG

Hermannus ContractusMusica

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

HERMUSP

Hermannus ContractusMusica

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

HERVER

Hermannus ContractusVersus ad discernendum cantum

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

HERVERP

Hermannus ContractusVersus ad discernendum cantum

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

HIERINST

Hieronymus [Ps.]Epistola ad Dardanum

Source: Reinhold Hammerstein, "Instrumenta Hieronymi," Archiv für Musikwissenschaft 16 (1959)

HUCHAR

HucbaldDe harmonica institutione

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

HUCHARM

HucbaldDe harmonica institutione

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

HUCORG

HucbaldDe organo

Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963)

JOHDEM

Johannes AffligemensisDe musica cum tonario

Source: Johannes Affligemensis, De musica cum tonario, ed. J. Smits van Waesberghe, Corpus scriptorum de musica, vol. 1 ([Rome]: American Institute of Musicology, 1950)

JOHMU

Johannes AffligemensisMusica

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

JOHMUS

Johannes AffligemensisMusica

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

MAUDEU

Rabanus MaurusDe universo, liber XVIII, caput IV

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

MAUMUS

Rabanus MaurusDe origine rerum

Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864)

MUSENC

AnonymousMusica enchiriadis

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

MUSENCH

AnonymousMusica enchiriadis

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

MUSENCI

AnonymousMusica enchiriadis

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1981)

NOTDEM

NotkerDe musica

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

NOTDEMU

Notker[De musica]

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

NOTLET

NotkerQuid singulae litterae

Source: Jacques Froger, "L'Épitre de Notker sur les 'Lettres significatives': Édition critique," Études grégoriennes 5 (1962)

ODODI

OdoDialogus de musica

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

ODODIA

OdoDialogus de musica

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

ODODIAL_MVBM8-24

OdoDialogus

Source: Venice, Biblioteca Nazionale Marciana, lat. app. cl. VIII/24 (coll. 3434)

ODOINT

OdoIntonarium

Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963)

ODOMU

OdoDe musica

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

ODOMUS

OdoDe musica

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

ODOOR

OdoQuomodo organistrum construatur

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

ODOORG

OdoQuomodo organistrum construatur

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

ODOPRO

OdoDialogus de musica, prologus

Source: Michel Huglo, "Der Prolog des Odo zugeschriebenen 'Dialogus de Musica'," Archiv für Musikwissenschaft 28 (1971)

ODORE

OdoRegulae super abacum

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

ODOREG

OdoRegulae super abacum

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

ODORH

OdoRegulae de rhythmimachia

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

ODORHY

OdoRegulae de rhythmimachia

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

ODOSENS

Odorannus de SensLiber opusculorum, capitula V-VI

Source: Odorannus de Sens, Opera omnia: Textes édités, traduits et annotés par Robert-Henri Bautier et Monique Gilles, et, pour la partie musicologique, par Marie-Elisabeth Duchez et Michel Huglo (Paris: Centre national de la recherche scientifique, 1972)

ODOTO

OdoTonarium

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

ODOTON

OdoTonarium

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

OLIBREV

Oliva de Ripoll[Breviarium de musica] and [Versus monocordi]

Source: Karl-Werner Gümpel, "Das Breviarium de musica und Versus monocordi des Mönchs Oliba von Ripoll," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 2001)

OSBMUS

Osbernus Cantuariensis (?)De vocum consonantiis

Source: Codex Oxoniensis Bibl. Bodl. Rawl. C 270: Pars A, "De vocum consonantiis" ac "De re musica" (Osberni Cantuariensis?), ed. Joseph Smits van Waesberghe, Divitiae musicae artis, A/Xa (Buren: Knuf, 1979)

REGDHI

Regino PrumiensisDe harmonica institutione

Source: Edna Marie Le Roux, RSM, "The De harmonica and Tonarius of Regino of Prüm" (Ph.D. dissertation, Catholic University of America, 1965)

REGHAR

Regino PrumiensisEpistola de harmonica institutione

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

REGHARI

Regino PrumiensisDe harmonica institutione

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

REGTON

Regino PrumiensisTonarius

Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963)

REGTONA

Regino PrumiensisTonarius

Source: Edna Marie Le Roux, RSM, "The De harmonica and Tonarius of Regino of Prüm" (Ph.D. dissertation, Catholic University of America, 1965)

REMMUS

Remigius AltisiodorensisMusica

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

REMMUSI

Remigius AltisiodorensisMusica

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

REMVIT

AnonymousVita Sancti Remigii

Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864)

SCENCH

AnonymousScolica enchiriadis de arte musica

Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1981)

SCHEN

AnonymousScholia enchiriadis de arte musica

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

SCHENC

AnonymousScholia enchiriadis de arte musica

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

THEMUS

Theogerus MetensisMusica

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

THEMUSI

Theogerus MetensisMusica

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)

WILMU

Willehelmus HirsaugensisMusica

Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963)

WILMUS

Willehelmus HirsaugensisMusica

Source: Willehelmi Hirsaugensis Musica, ed. Denis Harbinson, Corpus scriptorum de musica, vol. 23 ([Rome]: American Institute of Musicology, 1975)

WILMUSI

Willehelmus HirsaugensisMusica

Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904)